The Creative Enterprise by Natives delivering to all people the stories that shape our world is the longest-running Native Women-Led Indigenous Media Arts and Cultural non-profit enterprise in the history of the entertainment industry.
Individuals
We are the longest standing Native women-led, Indigenous media, arts and cultural nonprofit enterprise in the City of Los Angeles, since 1995 serving Indian Country and the entertainment industry. RNCI mission replaces racist, erasive American Indian stereotypes with recognition, new vision, arts, culture and economic prosperity by placing American Indian & Indigenous Filmmakers at the forefront of the entertainment industry while amplifying cinematic excellence with an emphasis on initiatives for Native women, girls, and youth.
Creating systemic change through the arts and media. Storytelling is what we do. We have increased the visibility of American Indian & Indigenous filmmakers and communities through our ground-breaking year round programs, initiatives, events in creating content with the revitalized vision of our own narrative as contemporary people. We work in a variety of media platforms and educational institutions, in conjunction with partners from around the world.
RNCI’s legacy is rich with cultural excellence. Our leadership actively implements a vision for the future of cinema: one in which American Indian perspectives are authentically pictured, recognized, and valued in a way that promotes strong Native identities, economic outcomes, equity, and wellness for our communities. We deliver increased representation of Native peoples in popular culture, both in front and behind the camera with our Film Festivals, RNCI Crew, a Native Studies Center at USC and Red Nation Television Network the first media streaming company, predating Netflix and others.
The Creative Enterprise by Natives Delivering to All People the Stories that Shape our World.
#NativesInChargeOfTheirNarrative
Red Nation Celebration Institute is located on the ancestral lands of native peoples.
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